Hair rendering always blew my mind. I remember seeing Monster's Inc in the theater, and the first shot of Sully was when he was asleep in his bed breathing heavily, and you could see the individual strands of hair on his arm flowing back and forth. I felt the world of animation change right at that moment for me, and now I wait with great anticipation for every new Pixar film that comes out. For me, "Up" was the only real let-down.
I've noticed a kind of arms-race in most of the Pixar/Dreamworks movies I've seen (not nearly all), where in the first 5 or 10 minutes there will always be some new technique being foregrounded. Sully's hair is a great example, they lay the new tech out right away both as a "we're cool" (in a positive sense!) signal to other animators and as a far point of expectations for the animation to the rubes like me. "If this goes over, everything else falls into place." I'm a little sad to see you neg "Up," though, because I thought the technical gambit there was much more sophisticated: conveying emotion convincingly from what is basically a cartoon. I think they succeeded in spades on that one.
Early animated movies mostly did well, and resonated with people, because of excellent voice acting from recognizable actors. (Think Toy Story.) Up's gambit is to show that well-orchestrated music and animation can surpass that. It isn't technically superior, but it is far more important.
I think what "Up" succeeded was even more significant than that: they took animation into the affective territory of live-action movies. Frankly, I don't even really remember the voices.
Making cartoons (which I sincerely believe 3D has been) has been one-upmanship of technology that pretty much builds its own history in lockstep, but to combine that with writing and the animation choices for something that can bring a tear to the eye of an adult is truly great work. The first act of "Up" really is a landmark to me.
Up also made excellent use of 3D to add to the emotional feeling; the way they handled "depth" in the sad introduction was different to the way they did it in the fun scenese or action scenes.
I have the image of the injured bird in "Up" limping along burned in my memory. I actually thought the scene was a little mature for the kids watching the movie, so I agree with you about them convincingly conveying emotion.
I remember seeing it in the theater w/ family and my (then) four year-old niece saying "this movie is really sad". The first 20 minutes are about how the old man lost his best friend and wife and is left all alone.
It wasn't sad in the same sense that Toy Story 3 was sad, because I don't think little kids can really relate to Toy Story 3 story like adults can. Kids could realize, at least on some level, the loss felt by the old guy in Up.
Hair rendering is awesome. Here's what blew my mind: In the (non-Pixar) film Final Fantasy VII Advent Children, the character Cloud Strife, already recognized for his points-every-which-way hair (from the PlayStation polygon days), wakes up with a distinct and noticeable case of bed head.
You might want to check out "Mighty Joe Young" from the late 90's. Not the greatest flick, but pioneering hair vfx to be proud of (from the late Dream Quest Images).
