I’ve worked in film mastering so yes I am an outlier. My point was that industry guarding the DCP makes sense as the leaked pirate versions are not the same thing. In music world everyone can buy uncompressed CD, but with moving image end user can only get what is equivalent of a mp3. This includes the illegal channels. Blu-ray is say 1:40 compressed from raw data. Good enough for sure but not the theatre experience.